Contained Content vs. Shared Culture - it's all about making money

Henry Jenkins: frictions emerge over trans-media and money-making - New Media - New Media | siliconrepublic.com - Ireland's Technology News Service
http://www.siliconrepublic.com/new-media/item/27436-henry-jenkins-frictions/
  • He pointed to the oxymoron contained in the word 'content' which actually means 'contained'. "Content is no longer contained. It has become unmoored. We can't think of content the same way we had."

    He added that when we think which is more important content or design, we should be thinking 'use'.

  • In fact it's a job category and there is enormous interest in how to build content that can move across platforms."
  • Trans-media is also evolving into marketing
  • Jenkins pointed to a guerilla campaign for the new movie The Amazing Spiderman which caused anger among local authorities in the US when kits of paint and stencils were handed out to create spider symbols on walls and buildings.
  • how the participatory culture can be defined by low barriers for participation or creation, informal mentorship, sharing your creations with others, members who believe their contributions matter and how members care about members opinions of self and their work.
  • “Participatory culture traces its roots back to folk culture in the shadow of the mass media of the 20th century. The business aspect occurs with Web 2.0.

    “I don't see a nice harmony," he pointed out adding that at one extreme participatory culture is free while in terms of Web 2.0 we enter into a world of frictions like fee structures and copyright.

    “I see frictions emerging between making money and exchanging culture."

  • “I am trying to avoid the use of the word piracy because of the moral charge of the word, but companies that know how to respond can find a way to profit, even it means losing control of revenue in certain cases."

 

Produce, Consume, Conduce, Prosume...

Transmedia Stories
– A Study of Producers, Consumers and Their Respective Roles in the Production Process of a Transmedia Project

Cecilia Roos Master Thesis, Culture and Media Production Malmö University, K3 Supervisor Martin Berg Spring Semester 2012

Abstract
This master thesis aims to identify the production processes within the contemporary creative industries, and in particular one field of culture and media production called transmedia. This thesis investigates how the roles of producers and consumers are changing with transmedia, and through what processes. It also investigates what consequences this have for the producers as well as for the consumers in their daily lives, within the creative industries, and in extension within contemporary capitalism.
The methods used to examine this are based on qualitative research interviews with six transmedia producers and participatory observations of the documentary film project Ghost Rockets. By using a theoretical framework based on Marxist theories and Critical Theory this thesis comes to the conclusion that the roles of producers and consumers are merging and becoming more undefined. This leads to tougher working conditions for producers, and the processes at work within the creative industries and the capitalist system are exploiting both producers and consumers.

  • The research uploaded here is a a master thesis made by Cecilia Roos. This study is the final thesis of the master program Culture and Media Production at Malmö University.

I'm Deleting my Quora Account - My Conversation with Quora Admin

Spoxx Aya
9:50am on Monday, Sept. 5th 2011 by spoxx

Hello,

please note that Quora Admin's decision to block my Quora account for not using my real name violates my right to informational self-determination as declared by the German Federal Constitutional Court based on Articles 1 (human dignity) and 2 (personality right) of the Constitution of the Federal Republic of Germany.

http://www.crid.be/pdf/public/62...

I acknowledge that the Quora-rules are subject to US jurisdiction, and therefore these rights may not be enforcable in the US.
However I hold these rights to be indispensable in a globalized information society.

I am therefore deactivating my quora account, and sent an e-mail to privacy@quora.com requesting to delete my account.

Sincerely
spoxx aya

____________________________________

Via e-mail on Sunday, Sept. 4th 2011 10:37pm:

A Quora admin blocked you from editing on Quora.

A Quora admin blocked you from editing on Quora for this reason:
Blocked from editing until user responds to name change request.
You will not be able to add questions or write answers at this time.

Thanks,
The Quora Team
____________________________________

10:00pm on Friday, Sept. 2nd by Quora Admin

Hello,

While we understand that your pseudonym is you working name, Quora only reserves that right for very well known artists (see Charlie Cheever's answer to If I am a rapper, can I use my rapper name on Quora?.) If you are concerned about your target audience not being able to find you an alternative would be to simply put you pseudonym in your Bio.

Doing this would create the same effect as far as search engines. That in addition to having your twitter account linked to your Quora account should make it very easy for you to be found.

Thank you

____________________________________
Spoxx Aya
10:22am on Friday, Sept. 2nd by spoxx:  

Hello Quora Admin,

thanks for the notification.

"Spoxx Aya", is my pen name.
I use this name in the credits of my films (I am a filmmaker), and for all my online and offline publications.
I use "Spoxx Aya"for all social networks, I've signed up with.
I am known to my target groups under this name only.

Using my birth name in the place of my pen name has no value to me.

I therefore apply for an exception of your rule that everyone uses his or her real full name, and hope that I can continue being "Spoxx Aya" on Quora as well.

Thank you for considering.
spoxx Aya

____________________________________
8:29pm on Thursday, Sept.1st 2011 by Quora Admin:

Hello,

One of the rules of Quora is that everyone uses his or her real full name. Do you mind changing your name to reflect that?

If this is a mistake and you are already using your real name, just reply to this message letting us know that.

You can change your name here:
Edit Profile Name

And you can find more details here:
Do I have to use my real name on Quora? Can businesses or organizations have a user account?

If you would like to ask, answer, and follow questions anonymously, Quora supports this and can also prevent your name from appearing in search engine results. See the Anonymity on Quora FAQ for more information.

Thank you

Crowdfunding Seminar in Berlin (Networking-Event featuring Lucas McNelly)

This is a draft translation of the original german blogpost "Crowdfunding Siminar in Berlin (Networking-Event)" on Wolfgang Gumpelmaires Social Filmmarketing BLOG. Since I am not a native speakter of English, my translation is bound to contain some awkward phrases and skewed syntax. I would appreciate your help in improving the language. So please use the comment section for your suggestions!
~ spoxx ~

 

by Wolfgang Gumpelmaier

Dear Filmmaker-Friends from Berlin and Vicinity,

 

I’ve been pondering the thought for a while now, to hold a half-day-long seminar on crowdfunding in Berlin. Target-audience: Filmmakers and media professionals.

In the last few months, I’ve been invited to Berlin several times to speak on that topic, for example at the dfc or at co:funding. Some of you may remember me from these events, others from  Twitter, Facebook, Blog , etc. Some of you have already contacted me directly, to pick up ideas and support, because they are into one or another crowdfunding project. Time and again during these conversations, we came to a point where we thought that meeting face-to-face might be a good idea.

So, it’s time for a seminar! The benefit would be that we could talk about basic questions in a group, and you could develop or test your ideas publicly, so to speak. We could then discuss individual questions in subsequent face-to-face sessions. - That’s the idea.

As luck would have it, the US-Filmmaker Lucas McNelly  is visiting Europe, more precisely Great Britain, in August. I’ve already posted about his crowdfunding campaigne A Year Without Rent” on this blog. 

In this context, my twitter-colleague  spoxx inquired with me, whether I saw a possibility to bring Lucas to Germany, to make his Know-How in independent filmmaking and crowdfunding accessible to our German-speeking colleagues. After some to and fro, we have now decided to kill two birds with one stone  ;-), and arrange a

CROWDFUNDING SEMINAR FOR FILMMAKERS IN BERLIN, FEATURING LUCAS MCNELLY 

And that’s what we are figuring (short version):

We’ll suggest a date, and a rough schedule for this event, and start a crowdfunding campaign at the beginning of next week, through which you can purchase your attendance at the workshop (similar to the way we handled it with David Röthler for our  Crowdfunding-Webinar ). After the seminar or on the following day, I’ll be available for personal consultations, which you can acquire as a perk (for a relatively low price). In addition, Lucas is bringing his film “Blanc de Blanc”, and stage an exclusive screening for us. The tickets to this screening will make another perk. Through this crowdfunding campaign, we hope to cover any costs, among them travel,  accommodation, catering, honorarium, handling etc. 

And here are the HARD FACTS:

  • TOPIC: Crowdfunding for Independent Filmmakers
  • DATE for seminar: August 13th, 2011
  • TIME: 15:00 − 19:00 CET (9am - 1pm EST)
  • ACTIVITIES: Introduction into the topic „Crowdfunding for the film sector“ with numerous examples, by Wolfgang Gumpelmaier. First-hand reports by Wolfgang Gumpelmaier  (CHI L’HA VISTO – WO BIST DU), Lucas McNelly (A Year Without Rent), and possibly a third filmmaker; afterwards open forum with opportunity to present and discuss own projects (workshop style).
  • CITY: Berlin
  • LOCATION: open; inquired but not confirmed. —> EQUIPMENT NEEDED: Internet/WIFI/-connection, data projector, projection screen, sound system.
  • DATES for PERSONAL CONSULTATIONS: August 14th 2011 from 10:00 on.
  • LANGUAGE: English
  • FEES: € 50,- (estimated)

Possibly, there may be some people from the USA or elsewhere interested in participating via stream - therefore this specific time. Generally, participating via stream will be free of charge. However, this shouldn’t make you feel annoyed, since first and foremost, the value of the event lies in getting to know and making contacts etc. with people in your local community. Besides - anyone attending via stream is free to contribute a few Euros ;-)

I have already inquired for possible fundings, sponsors, and partners; however, in this respect, we can’t promise too much. Especially the location for the seminar is still unclear, since the two locations, I have inquired, are not available at the given date. Perhaps some of you have an idea?

So much for our thoughts, now, it’s your turn. Please notify us about your ideas, wishes, and comments, so that we can consider them the coming week. I’ll inform you about the start of the crowdfunding campaign via an extra blog post or some of you personally via eMail. 

For my part, I say good by for now, and I am looking forward to meeting you in Berlin soon!

New Online-Platforms for Documentary Film(-Makerer)s - by Wolfgang Gumpelmaier

This is a draft translation of the original german blogpost Neue Online-Plattform für Dokumentarfilme(r) on Wolfgang Gumpelmaier's Social Filmmarketing BLOG Since I am not a native speakter of English, my translation is bound to contain some awkward phrases and skewed syntax. I would appreciate your help in improving the language. So please use the comment section for your suggestions!
~ spoxx ~

My colleague Hannes Kreuzer, who runs documentary.net, has asked me to inform you about his new online platform for documentary film(-maker)s:

documentary.net  is a new platform for doc fans and filmmakers. On the platform you can watch films for free or seize the opportunity to pitch your new projects by posting your teaser-trailer or the entire film. This way you can reach out to a new audience, most notably in America. This can be beneficial, mostly when your film is meant to traverse local boundaries.

The films featured on documentary.net will be curated for technical quality and content; they shall educate, inform, arouse or entertain. The user can filter according to runtime and topics.

The site is in English, and free of charge for both, viewers and filmmakers: By filmmakers, for filmmakers and doc-fan.

Essential distinctions from existing videoplatforms:

    •    Selected high quality documentary films
    •    Films are published only with explicit consent from the filmakers
    •    Films can be viewed on various mobile devices (iPad, Android, etc.)
    •    Filmmakers can pitch their productions and projects (incl. Crowdfunding) free of charge
    •    The platform offers up-to-date background information about the documentary film industry
    •    The platform promotes communication and networking among filmmakers and interested persons

A Year Without Rent - A Filmmaker on the Road - by Wolfgang Gumpelmaier

This is a draft translation of the original german blogpost "A Year Without Rent - ein Filmemacher auf Achse" auf Wolfgang Gumpelmeier's Social Film Marketing BLOG. Since I am not a native speakter of English, my translation is bound to contain some awkward phrases and skewed syntax. I would appreciate your help in improving the language. So please use the comment section for your suggestions!
~ spoxx ~

Lucas McNelly’s „Year Without Rent“ is considered one of the most outstanding crowdfunding campaigns in 2011. The American filmmaker is planning to tour the States for one whole year, to support other filmmakers with their projects. He wants to find out „just how mobile our digital lifestyle makes us“, and put his experiences down in an e-book.

In order to pay for this experimental internship, he introduced himself, and his project, on the kickstarter platform. Within a few weeks, he collected over 12,000 Dollars in donations and sponsoring from friends and fans.

However, 24 hours before the end of the crowdfunding campaign, McNelly was still about 7,800 Dollas short of his goal, and for quite a while it looked like he would not be able to finish his campaign successfully. That’s because kickstarter, like most of the crowdfunding platforms, follows a policy of „All Or Nothing“:  Unless you meet your funding goal, none of your donators will be debited, and no funds will be transferred to your account.

In the end, however, McNelly finished his campaign with the support of 243 donors, and a total of 12,178 Dollars in sponsoring. For this achievement, several factors were crucial, as he explained to me in an interview for filmtiki: Let me try to distill a few core messages for future crowd funders:

Team work!

Convince your friends and colleagues to actively engage in your campaign. The more people help to spread the news about your project, the more attention you will get. Some crowdsponsoring platforms offer an option to name several administrators for a project.

Find influencers and multipliers!

Consider early in your planning phase, which opinion leaders you know (personally), and how you might approach them, and call their attention to your project. In the case of Lucas McNelly, it was David and Karen of FilmCourage who spotlighted the project, and threw their weight about the American and international filmmaker community (mainly via twitter). Keeping Twitter- or Facebook lists is a good way to retrieve up-todate contacts. To team-administrate eMail contacts, Google Docs is a good choice.

Forget traditional media!

Concentrate on Social Media and eMail. Traditional media often prove too slow to react to spontaneous missions like Lucas McNelly’s 31-day crowdfunding campaign. Nevertheless, if radio, TV or print media should get attentive of your project - all the better!

Equally embrace all donors!

Now matter how much or how little your donors will give, show them that you appreciate their support. All your activities in social media, and all the perks you may give back to your donors, boil down to this simple formula.
Keep your fans updated!

This may be one of the most important tips, you can give to a crowd funder: Don’t forget to keep your backers informed about your project. This will keep them committed to your project; it motivates them to spread the word, and will bring in new sponsors! Most platforms offer such update devices, so use them wisely!

Simple perks work just fine!

Lucas McNelly was successful in attracting numerous backers with simple, uncomplicated perks; among them was a post card, t-shirts, the finished eBook. So don’t be too complicated, because you have to keep what you promise!
Find your true fans!

There are alway some people who will embrace your idea. It is essential to identify these few persons, and integrate them fully. Call them into your team; provide them with important tasks; ask them for feedback. This will show to everyone, how important your fans are to you, and occasionally, this will attract new supporters!

Build your community ahead of time!

What are all the coolest ideas or top perks good for if there is nobody to whom you can talk about it. Right: Good for nothing! Therefore remember to build a small fan base a couple of weeks before you start your crowdfunding campaign - except when your primary goal is to draw attention, and the financial success of your campaign has taken a back seat.

Don’t underestimate the expenditure of time!

(Almost) every one who has some crowdfunding experience will tell you that they have underestimated how time-consuming it would be! Lucas McNelly talks about a „9 to 11 job“, especially towards the end of his campaign. Add the time you need for preparation and wrap-up. This is why I suggest you roughly plan your campaign all the way through, and draw up some content before you start your crowdfunding campaign. This way you save time, and you will be able to communicate more efficiently!

Develop a cool campaigne!

In Lucas McNelly’s opinion, it was above all the uniqueness of his project that was decisive - in spite of all the factors mentioned above. „It was simply a cool project“, says the filmmaker. Therefore, in preparing your campaign, it is better to invest a bit more time than too little. Record your personal video, where you tell everyone, why your campaign is so cool, and why it is worth supporting it. In your updates, elaborate on single aspects, so that your potential supporters will get a better picture of your endeavor.

If you consider this advice, you have a good chance to finish your crowdfunding campaign successfully. Of course, you always need a bit of luck, because not everything can be planned.

Having said this, I would like to offer one last piece of advice: Be authentic!